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Top Movies Eight Below Date Movie The Pink Panther Curious George Final Destination 3 Firewall Freedomland When a Stranger Calls Big Momma's House 2 Nanny McPhee New Releases Curious George Final Destination 3 Firewall The Pink Panther Date Movie Eight Below Freedomland Something New Failure to Launch When a Stranger Calls Top Celebs Reese Witherspoon Brad Pitt Paris Hilton Mariah Carey Lindsay Lohan Scarlett Johansson Phil Collins Britney Spears Angelina Jolie Jodie Marsh	America's Sweethearts  Release Date - July 20, 2001 Nationwide  Distributor - Columbia Tristar  Duration - 101 Mins  Type - Romance and Comedy.  Writer : Billy Crystal and Peter Tolan.  Producer : Billy Crystal, Susan Arnold and Donna Roth.  Director : Joe Roth.  Starring : Julia Roberts, Billy Crystal,Catherine Zeta-Jones, John Cusack and Hank Azaria.  Synopsis For an awkward, self-conscious girl like Kiki (Julia Roberts), being the personal assistant to a beautiful mega-star like Gwen (Catherine Zeta-Jones) isn't easy. But when she dutifully accepts the task of helping Gwen and her estranged mega-star husband Eddie (John Cusack) make it through one last public appearance masterminded by legendary press agent Lee Phillips (Billy Crystal), forever devoted Kiki finds that her job is about to get even harder. At first it seems her challenge is to keep the peace between Gwen and Eddie and their public image intact, but soon Kiki is faced with a more personal concern as her longtime friendship with Eddie begins to take a romantic turn.  Critic Reviews "America's Sweethearts" offers an insider's look at movie-star egos, press-agent chicanery and an easily duped press corps. It takes place at a press junket, where actors are brought together with reporters for a volley of interviews, and it stars Roberts as Kiki Harrison, the personal assistant and sister to movie diva Gwen Harrison (Catherine Zeta-Jones). Gwen, spoiled and narcissistic, is separated from Eddie Thomas (John Cusack), her husband and frequent co-star. Gwen is loath to spend time with Eddie but agrees to one final appearance in order to promote their last movie. That's where Kiki comes in: Without her gentle interference, press agent Lee Phillips (Billy Crystal) hasn't a prayer of making this junket work. "Sweethearts" was directed by Joe Roth, the former head of 20th Century Fox and Disney, whose new company, Revolution Studios, produced the film. It was written by Crystal, who's obviously attended his share of junkets, and is predicated on the assumption that viewers will be just as amused by movie- industry machinations as the people who experience them firsthand. There's arrogance in that assumption, but that's not reason enough to dislike this movie. What's offensive about "America's Sweethearts" is that it doesn't contain a single genuine emotion. It's just as bogus and hollow as the movie business it portrays. Romantic comedies are supposed to engage our sympathy, make us care about the characters and root for their happiness. "America's Sweethearts" presents two monsters (Zeta-Jones and Crystal), one flake (Cusack) and one doormat (Roberts), and then expects us to be feel soft and cozy when the doormat beds the flake (who, after all, is her sister's husband). Suddenly, after years of fetching and groveling, Kiki realizes that she's been used and metamorphoses into a feisty rebel. Such are the benefits of shagging a family member: What was cloudy for decades becomes brilliantly clear. (I'm not giving away anything here -- it's all revealed in the movie's trailer.) This kind of material works well in farce, where everything is played broadly and couched in absurdity, but "America's Sweethearts" doesn't do that. It wants us to applaud Roberts and Cusack's creepy love match and tries to melt any resistance we might feel by underscoring their pillow talk with tinkly piano music. Crystal's script, co-written with Peter Tolan ("Analyze This"), not only stretches our credibility but also falls back on adolescent humor for cheap laughs. Maybe I see too many movies, but it seems as if masturbation and small- penis jokes are so ordinary now, like the f-word, that they've lost their power to shock or amuse. They're silly and dull -- proof of a screenwriter's lack of imagination. Roberts is a radiant comic performer, but "Sweethearts" is an ensemble piece that upsets our expectations by giving her a supporting role and placing the primary focus on Zeta-Jones. It also casts her as a frump -- in flashbacks she's camouflaged by a fat suit -- and the result is curious but flat.   For rating reasons : filmrating.com, mpaa.com                                    For Parents : Parentalguide.com
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